Jennifer Lopez

Jennifer Lynn Lopez (born July 24, 1969), also known by her nickname J.Lo, is an American singer, songwriter, actress, dancer and businesswoman. Lopez is regarded as one of the most influential entertainers of her time, credited with breaking barriers for Latino Americans in Hollywood and helping propel the Latin pop movement in music. She is also noted for her impact on popular culture through fashion, branding, and shifting mainstream beauty standards.

Lopez began her career as a dancer, making her television debut as a Fly Girl on the sketch comedy series In Living Color in 1991. She rose to fame as an actress, starring as singer Selena in the film of the same name (1997), and established herself as the highest-paid Latin actress, with leading roles in Anaconda (1997) and Out of Sight (1998). Lopez successfully ventured into the music industry with her debut album, On the 6 (1999). In 2001, she became the first woman to simultaneously have a number-one album and a number-one film in the United States, with her second album, J.Lo, and the romantic comedy The Wedding Planner. She has since become known for starring in romantic comedies, including Maid in Manhattan (2002), Shall We Dance? (2004), and Monster-in-Law (2005). Lopez released two albums in 2002: J to tha L–O! The Remixes and This Is Me... Then, the former becoming the first remix album to top the US Billboard 200.

Media scrutiny and the failure of her film Gigli (2003) preceded a career downturn. Her subsequent albums included Rebirth (2005), Como Ama una Mujer (2007), which broke first-week sales records for a debut Spanish album, as well as Love? (2011). Lopez returned to prominence as a judge on American Idol (2011–2016). Throughout the 2010s, she voiced Shira in the animated Ice Age franchise (2012–2016), starred in the police drama series Shades of Blue (2016–2018), and served as a judge on World of Dance (2017–2020). In 2019, she garnered critical praise for her performance in the crime drama Hustlers. Lopez continued her acting career, with leading roles in the films Marry Me (2022), The Mother (2023), This Is Me... Now: A Love Story, Atlas (both 2024), and Kiss of the Spider Woman (2025). In late 2025/early 2026, she will play a multi-night residency at the Colosseum at Caesars Palace.

Lopez has sold over 80 million records worldwide, while her films have cumulatively grossed over US$3.1 billion. Her accolades include a star on the Hollywood Walk of Fame, the Billboard Icon Award, three American Music Awards, four MTV Video Music Awards (including the Michael Jackson Video Vanguard Award), and six Guinness World Records. She has been ranked among the 100 most influential people in the world by Time (2018) and the World's 100 Most Powerful Women by Forbes (2012). Lopez has a large social media following, being one of the most-followed individuals on Instagram. Her other ventures include a lifestyle brand, beauty and fashion lines, fragrances, a production company, and a charitable foundation.

Jennifer Lynn Lopez was born on July 24, 1969, in the Bronx, one of the boroughs of New York City, and raised in its Castle Hill neighborhood. Her parents, Guadalupe Rodríguez and David Lopez, were born in Puerto Rico and met in New York City. After serving in the Army, David worked as a computer technician at Guardian Insurance Company. Guadalupe was a homemaker for the first ten years of Lopez's life, later working as a Tupperware salesperson and a kindergarten and gym teacher. They divorced in the 1990s after 33 years of marriage.

Lopez is a middle child; she has an older sister, Leslie, and a younger sister, Lynda. The three shared a bedroom. Lopez has described her upbringing as "strict". She was raised in a Catholic family; she attended Mass every Sunday and received a Catholic education, attending Holy Family School and the all-girls Preston High School, a private school. In school, Lopez ran track on a national level, participated in gymnastics, and was on the softball team. She danced in school musicals and played a lead role in a production of Godspell. She described herself as a "tomboy" and "very athletic".

There was "lots of music" in the typically Puerto Rican household, and Lopez and her sisters were encouraged to sing, dance, and create their own plays for family events. West Side Story made a particular impression on the young Lopez, who wanted to be an entertainer from an early age. As a teenager, she learned flamenco, jazz, and ballet at the Kips Bay Boys & Girls Club and taught dance to younger students, including Kerry Washington. After graduating from high school, she had a part-time secretarial job at a law firm and studied business at New York's Baruch College for one semester. At age 18, she enrolled as a full-time student at Manhattan's Phil Black Dance Studio, where she had already taken night classes in jazz and tap dance. Her parents were unhappy with her decision to leave college to pursue a dance career. According to Lopez, her parents felt it was "foolish" because "no Latinas did that". Her mother asked her to move out of the family home, and they stopped speaking for eight months. Lopez moved to Manhattan, sleeping in the dance studio's office for the first few months.

Lopez's first professional job came in 1989 when she spent five months touring Europe with the musical revue show Golden Musicals of Broadway. She was upset at being the only member of the chorus not to have a solo, and later characterized it as a pivotal moment where she had to "try harder and become that much more committed". In 1990, she danced alongside MC Hammer in an episode of Yo! MTV Raps, and traveled around Japan for four months as a chorus member in Synchronicity. When she returned to the United States, she was hired as a backup dancer for New Kids on the Block's performance of "Games" at the 1991 American Music Awards. She also traveled around America with regional productions of the musicals Jesus Christ Superstar and Oklahoma!. During this period, Lopez also danced in music videos including Doug E. Fresh's "Summertime", Richard Rogers' "Can't Stop Loving You", EPMD's "Rampage", and Samantha Fox's "(Hurt Me! Hurt Me!) But the Pants Stay On". Lopez stated: "I'd dance in a piece-of-garbage rap or pop video for 50 bucks and make the money last a whole month."

Her most high-profile job as a professional dancer was as a Fly Girl jazz-funk dancer on the sketch comedy television series In Living Color. The show's choreographer, Rosie Perez said she chose Lopez because "she had that look that I knew the audience would tune in to". Lopez moved to Los Angeles in late 1991 for the job; she filmed In Living Color during the day and attended acting classes taught by Aaron Speiser at night. Lopez felt ostracized by the other Fly Girls because of her "voluptuous figure", and also clashed with Perez. The head of Virgin Records considered signing The Fly Girls as a girl group to rival the Spice Girls, but the deal fell apart. After appearing as a Fly Girl in seasons three and four of In Living Color, Lopez left to work as a backup dancer for Janet Jackson, and appeared in the music video for "That's the Way Love Goes". She was scheduled to tour with Jackson on her Janet World Tour in late 1993 but opted to pursue an acting career instead. Lopez hired In Living Color producer Eric Gold as her manager. He advised Lopez to lose weight if she wanted to succeed as an actress.

Lopez's first professional acting job was a small recurring role on the television show South Central (1994). She was invited to audition for the pilot by a casting director who had seen her speak to camera during a behind-the-scenes In Living Color segment. She then acquired an agent and was cast in the CBS show Second Chances; the series was quickly cancelled, but her popularity with viewers led to her being cast in its spin-off Hotel Malibu. She subsequently appeared in the television film Lost in the Wild (1993). For her first major movie role, in Gregory Nava's 1995 drama Mi Familia, Lopez received a nomination for the Independent Spirit Award for Best Supporting Actress. She then starred in the action comedy Money Train (1995). The film was not a box office success, though her performance was reviewed positively, which led to her being further noticed in Hollywood. In 1996, Lopez had a supporting role opposite Robin Williams in the comedy Jack, which director Francis Ford Coppola cast her in after seeing her performance in Mi Familia. She next starred opposite Jack Nicholson in the neo-noir thriller Blood and Wine (1996), where David Rooney of Variety felt she delivered in "juggling" the "smoldering and soulful sides" of the character.

With her casting as the singer Selena Quintanilla-Pérez in the biopic Selena (1997), Lopez became the first Latina actress to earn $1 million. She described her salary for the film as a "statement to the world", but expressed disappointment that other Latina actors were not being afforded the same opportunities. Despite having previously worked with the film's director Gregory Nava on Mi Familia, Lopez participated in an intense auditioning process and spent time with the late singer's family in Corpus Christi, Texas before filming began. Selena was a box office hit, and Lopez's performance received critical acclaim. Roger Ebert of the Chicago Sun-Times described it as "a star-making performance" and wrote: "She has the star presence to look convincing in front of 100,000 fans." Lopez received her first Golden Globe nomination for the performance. Nava asked the heads of Warner Bros. to fund an Academy Award campaign for Lopez but was told the Academy would "never nominate a Latina." Later in 1997, Lopez starred opposite Ice Cube in the horror film Anaconda, which received negative reviews from critics but was a box office success. Joe Leydon of Variety found the film "silly" but said it deserved "a little credit" for being "the first movie of its kind to have a Latina and an African-American" as its stars. In the crime film U Turn (1997), Lopez appeared topless in a sex scene that was added by director Oliver Stone during filming. Speaking in 2003, Lopez said it was not something "I would have chosen to do" and that she and Stone fought over it: "It's hard being the only woman on a set."