Cillian Murphy

Cillian Murphy (/ˈkɪliən/ KILL-ee-ən; born 25 May 1976) is an Irish actor. His works encompass both stage and screen, and his accolades include an Academy Award, a BAFTA Award, and a Golden Globe Award.

He made his professional debut in Enda Walsh's 1996 play Disco Pigs, a role he later reprised in the 2001 screen adaptation. His early film credits include the horror film 28 Days Later (2002), the dark comedy Intermission (2003), the thriller Red Eye (2005), the Irish war drama The Wind That Shakes the Barley (2006), and the science fiction thriller Sunshine (2007). He played a transgender Irish woman in the comedy-drama Breakfast on Pluto (2005), which earned him his first Golden Globe Award nomination.

Murphy began his collaboration with filmmaker Christopher Nolan in 2005, playing the Scarecrow in The Dark Knight trilogy (2005–2012) as well as appearing in Inception (2010) and Dunkirk (2017). He gained greater prominence for his role as Tommy Shelby in the BBC period drama series Peaky Blinders (2013–2022) and for starring in the horror sequel A Quiet Place Part II (2020). Murphy portrayed J. Robert Oppenheimer in Nolan's Oppenheimer (2023), for which he won the BAFTA and Academy Award for Best Actor.

Murphy was born on 25 May 1976 in Douglas, Cork. His mother taught French while his father, Brendan, worked for the Department of Education. His grandfather, aunts, and uncles were also teachers. He was raised in Ballintemple, Cork, alongside his younger brother Páidi and younger sisters Sile and Orla. He started writing and performing songs at the age of 10.

Murphy was raised Catholic and attended the fee-paying Catholic secondary school Presentation Brothers College, where he did well academically but often got into trouble, sometimes being suspended; he decided in his fourth year that misbehaving was not worth the hassle. Not keen on sports, which was a major part of the school's curriculum, he found that artistic pursuits were neglected at the school.

Murphy got his first taste of performing in secondary school when he participated in a drama module presented by Corcadorca Theatre Company director Pat Kiernan. He later described the experience as a "huge high" and a "fully alive" feeling that he then set out to chase. Novelist William Wall, who was his English teacher, encouraged him to pursue acting but he was set on becoming a rock star. In his late teens and early 20s, he sang and played the guitar in several bands alongside his brother, Páidi, and the Beatles-obsessed duo named their most successful band The Sons of Mr. Green Genes, which they adopted from the Frank Zappa song of the same name. He later said the band "specialised in wacky lyrics and endless guitar solos". They were offered a five-album deal by Acid Jazz Records, which they rejected because Páidi was still in school and the duo did not agree with the small amount of money they would get for giving the record label the rights to Murphy's compositions. Murphy later confessed, "I'm very glad in retrospect that we didn't sign because you kind of sign away your life to a label and the whole of your music."

Murphy began studying law at University College Cork (UCC) in 1996 but failed his first-year exams because he "had no ambitions to do it". Not only was he busy with his band, but he knew within days after starting at UCC that he did not want to practise law. After seeing Corcadorca's stage production of A Clockwork Orange, directed by Kiernan, he began directing his attention to acting. His first major role was in the UCC Drama Society's amateur production of Observe the Sons of Ulster Marching Towards the Somme, which starred Irish-American comedian Des Bishop. Murphy also played the lead in their production of Little Shop of Horrors, which was performed in the Cork Opera House. He later admitted that his primary motivation at the time was not to pursue an acting career, but to go to parties and meet women.

Murphy pressured Pat Kiernan until he got an audition at Corcadorca Theatre Company, and in September 1996, he made his professional acting debut on the stage, playing the part of a volatile Cork teenager in Enda Walsh's Disco Pigs. Walsh recalled meeting and discovering Murphy: "There was something about him – he was incredibly enigmatic and he would walk into a room with real presence and you'd go, "My God". It had nothing to do with those bloody eyes that everyone's going on about all the time." Murphy observed, "I was unbelievably cocky and had nothing to lose, and it suited the part, I suppose". Originally intended to run for three weeks in Cork, Disco Pigs ended up touring throughout Europe, Canada and Australia for two years, and Murphy left both university and his band. Though he had intended to go back to playing music, he secured representation after his first agent caught a performance of Disco Pigs, and his acting career began to take off.

He starred in many other theatre productions, including Shakespeare's Much Ado About Nothing (1998), The Country Boy, and Juno and the Paycock (both 1999). He began appearing in independent films such as On the Edge (2001), and in short films, including Filleann an Feall (2000) and Watchmen (2001). He also reprised his role for the film adaption of Disco Pigs (2001) and appeared in the BBC television mini-series adaptation of The Way We Live Now. During this period, he moved from Cork, relocating first to Dublin for a few years, then to London in 2001. In 2002, Murphy starred as Adam in a theatre production of Neil LaBute's The Shape of Things at the Gate Theatre in Dublin. Writing for The Irish Times, Fintan O'Toole praised Murphy's performance, "Murphy measures out his metamorphosis with an impressive subtlety and intelligence".

Murphy was cast in the lead role in Danny Boyle's horror film 28 Days Later (2002). He portrayed pandemic survivor Jim, who is "perplexed to find himself alone in the desolate, post-apocalyptic world" after waking from a coma in a London hospital. Casting director Gail Stevens suggested that Boyle audition Murphy for the role, having been impressed with his performance in Disco Pigs. Stevens stated that it was only after seeing his slender physique during filming that they decided to feature him fully nude at the beginning of the film. She recalled that Murphy was shy on set with the tendency to look slightly away from the camera, but enthused that he had a "dreamy, slightly de-energised, floating quality that is fantastic for the film". Released in the UK in late 2002, by the following July, 28 Days Later had become a sleeper hit in North America, and success worldwide, putting Murphy in front of a mass audience for the first time. His performance earned him a nomination for Best Newcomer at the 8th Empire Awards, and Breakthrough Male Performance at the 2004 MTV Movie Awards. Murphy professed that he considered the film to be much deeper than a zombie or horror film, expressing surprise at the film's success, and that American audiences responded well to its content and violence. Murphy said, "The film did so well. And you watch zombie stuff [now], we were the first people to make zombies run, and [that] changed everything. It has a very special place in my heart, that movie."

In 2003, Murphy played the role of Konstantine in a stage production of Chekhov's The Seagull at the Edinburgh International Festival. He said that he wanted to play Konstantine because the character "goes on this amazing journey through the play [...] he comes to realise there's no point being an iconoclastic writer just for the sake of it, and that the search for new forms has to have something behind it".

Murphy starred as a lovelorn, hapless supermarket stocker who plots a bank heist with Colin Farrell in Intermission (2003), which became the highest-grossing Irish independent film in Irish box office history (until The Wind That Shakes the Barley broke the record in 2006). Reflecting on his roles in 28 Days Later and the "sad-sack Dublin shelf-stacker" in Intermission, Sarah Lyall of the International Herald Tribune stated that Murphy brought "fluent ease to the roles he takes on, a graceful and wholly believable intensity. His delicate good looks have, as much as his acting prowess, caused people to mark him as Ireland's next Colin Farrell, albeit one who seems less likely to be caught tomcatting around or brawling drunkenly at premieres." He had a minor supporting role in the successful Hollywood period drama Cold Mountain (2003). He portrayed a deserting soldier who shares a grim scene with Jude Law's character, and was on location in Romania for only a week. Murphy stated that it was a "massive production", remarking that director Anthony Minghella was the calmest director he'd ever met. Murphy also had a role as a butcher in Girl with a Pearl Earring (2003) with Scarlett Johansson and Colin Firth.

In 2004, Murphy toured Ireland with the Druid Theatre Company, in The Playboy of the Western World (playing the character of Christy Mahon) under the direction of Garry Hynes—who had previously directed Murphy back in 1999 in the theatre productions of Juno and the Paycock—and also in The Country Boy.

Murphy appeared as Dr. Jonathan Crane in Christopher Nolan's Batman Begins (2005). Originally asked to audition for the role of Bruce Wayne/Batman, Murphy never saw himself as having the right physique for the superhero, but leapt at the chance to connect with director Nolan. Though the lead went to Christian Bale, Nolan was so impressed with Murphy that he gave him the supporting role of Dr. Crane, whose alter ego is supervillain Scarecrow. Nolan told Spin magazine, "He has the most extraordinary eyes, and I kept trying to invent excuses for him to take his glasses off in close-ups". He starred as Jackson Rippner, who terrorises Rachel McAdams on an overnight flight in Wes Craven's thriller, Red Eye (2005). The New York Times film critic Manohla Dargis asserted that Murphy made "a picture-perfect villain" and that his "baby blues look cold enough to freeze water and his wolfish leer suggests its own terrors". The film was favourably reviewed and earned almost $100 million worldwide.