Patti Page

Clara Ann Fowler (November 8, 1927 – January 1, 2013), better known by her stage name Patti Page, was an American singer. Primarily known for pop and country music, she was the top-charting female vocalist and best-selling female artist of the 1950s, selling over 100 million records during a six-decade-long career. She was often introduced as "the Singin' Rage, Miss Patti Page". New York WNEW disc-jockey William B. Williams introduced her as "A Page in my life called Patti".

Page signed with Mercury Records in 1947, and became their first successful female artist, starting with 1948's "Confess". In 1950, she had her first million-selling single "With My Eyes Wide Open, I'm Dreaming", and eventually had 14 additional million-selling singles between 1950 and 1965.

Page's signature song, "Tennessee Waltz", is the best selling song of the 1950s by a female artist, one of the biggest-selling singles of the 20th century, and is recognized today as one of the official songs of the state of Tennessee. It spent 13 weeks atop the Billboard's best-sellers list in 1950/51. Page had three additional number-one hit singles between 1950 and 1953, "All My Love (Bolero)", "I Went to Your Wedding", and "(How Much Is) That Doggie in the Window?".

Unlike most other pop singers, Page blended country music styles into many of her songs. As a result of this crossover appeal, many of Page's singles appeared on the Billboard Country Chart. In the 1970s, she shifted her style more toward country music and began having even more success on the country charts, ending up as one of the few vocalists to have charted in five separate decades.

With the rise of rock and roll in the 1950s, mainstream popular music record sales began to decline. Page was among the few pop singers who were able to maintain popularity, continuing to have hits well into the 1960s, with "Old Cape Cod", "Allegheny Moon", "A Poor Man's Roses (or a Rich Man's Gold)", and "Hush, Hush, Sweet Charlotte".

In 1997, Patti Page was inducted into the Oklahoma Music Hall of Fame. She was posthumously honored with the Lifetime Achievement Grammy Award in 2013.

Clara Ann Fowler was born on November 8, 1927, in Claremore, Oklahoma (some sources give Muskogee, Oklahoma) into a large and poor family of 11 children (3 boys and 8 girls). Her father, B.A. Fowler, worked on the MKT railroad, while her mother, Margaret, and older sisters picked cotton. As she recalled on television many years later, the family lived without electricity, so she could not read after dark. She was raised in Foraker, Hardy, Muskogee, and Avant, Oklahoma, before attending Daniel Webster High School in Tulsa, from which she graduated in 1945.

Fowler started her career as a singer with Al Clauser and his Oklahoma Outlaws at radio station KTUL in Tulsa, Oklahoma. At age 18, she became a featured performer on the station for a 15-minute radio program sponsored by the Page Milk Company. As a nod to the show's sponsor, Fowler was referred to on the air as "Patti Page". In 1946, Jack Rael, a saxophone player and manager of the Jimmy Joy Band, came to Tulsa for a one-night stand. Rael heard Page on the radio, liked her voice, and asked her to join the band. After leaving the band, Rael became Page's personal manager.

Page toured the United States with the Jimmy Joy Band in 1946. The following year the band traveled to Chicago, where she sang with a small group led by popular orchestra leader Benny Goodman. This led to Page getting picked up by Mercury Records. She became Mercury's "girl singer".

Page cut her first two discs ("Every So Often/What Every Woman Knows" and "There's A Man In My Life/The First Time I Kissed You") with the Eddie Getz and George Barnes Orchestras but they failed to chart.

She found success with her third single ("Confess" b/w "Twelve O'Clock Flight"). The arrangement of "Confess" was meant to use a backing chorus, but Mercury would not pay for one since Page had not yet produced a charting single, so if she wanted additional singers she would have to hire them at her own expense. Instead, her manager Jack Rael decided to try an experiment. Bill Putnam, an engineer for Mercury Records, was able to overdub Page's voice by syncing the two master discs together—tape recording was not in use yet and this technique was difficult to pull off. Thus, Page became the first pop artist to harmonize her own vocals on a recording. This gimmick got "Confess" to #12 on the Billboard. This technique later was used on Page's biggest hit singles in the 1950s. Page had four more singles chart in 1948–49, with two ("So In Love" and "With My Eyes Wide Open, I'm Dreaming" reaching the top 15. Page also had a top 15 hit on the Billboard country chart in 1949 with "Money, Marbles, and Chalk". After the experiment of "Confess" worked, Page and Rael got more ambitious and began trying four part overdubs.

In 1950, Page had her first million-selling single "With My Eyes Wide Open, I'm Dreaming", another song where she harmonized her vocals. Because she was overdubbing her vocals, Page's name had to be listed on the recording credits as a group. According to one early 1950s chart, Page was credited as the Patti Page Quartet. In mid-1950, Page's single "All My Love (Bolero)" became her first #1 on the Billboard spending five weeks there. That same year, she also had her first top-10 hit with "I Don't Care if the Sun Don't Shine", as well as the top-25 single "Back in Your Own Backyard". With this success, Page earned the privilege of releasing her first LP, the self-titled "Patti Page" which opened with "Confess" and included other of her singles from this period. She also released a Christmas album in 1951; this was reissued five years later with updated cover art on a 12" LP with a few new tracks to fill the run time out.

The success of "Bolero" however was quickly eclipsed by what soon became Page's signature song. "Tennessee Waltz" was written in 1946 by Pee Wee King and Redd Stewart, and was recorded in 1947 by Pee Wee King and His Golden West Cowboys. Their original version made the country charts in 1948. The song was also a hit for Cowboy Copas around the same time. Page was introduced to the song by record producer Jerry Wexler, who suggested that she cover a recent R&B version by the Erskine Hawkins Orchestra. Page liked the song, and she recorded and released it as a single.

"Tennessee Waltz" became a blockbuster hit by complete accident—it was the B-side to "Boogie Woogie Santa Claus" which Mercury had intended to promote during the 1950 holiday season. The label intentionally put "Tennessee Waltz" on the disc to avoid drawing attention away from a planned Christmas hit, as they considered the song a throwaway with no hitmaking potential. To everyone's complete surprise, it went on to spend nine weeks at #1 during December 1950-January 1951, while "Boogie Woogie Santa Claus" failed to chart at all and was quickly forgotten. "Tennessee Waltz" also became Page's second single to appear on the country charts, becoming her biggest hit there, reaching number two. The song later became one of the best-selling records of its era, selling 7 million copies in the early 1950s. "Tennessee Waltz" remains the biggest commercial success for the overdubbing technique, pioneered by producer Mitch Miller, which enabled Page to harmonize with herself. "Tennessee Waltz" was the last song to sell one million copies of sheet music. The song was covered by several other singers during the next few months including Jo Stafford and Les Paul and Mary Ford.

The song was featured in the 1970 film Zabriskie Point and in the 1983 film The Right Stuff.

In 1951, Page covered "Would I Love You (Love You, Love You)", which had been a hit for Doris Day. Page's version was a top-five hit that sold 1 million copies. The next single, "Mockin' Bird Hill", (a cover of the original by Les Paul and Mary Ford) was her fourth million seller. Page had three more top 10 hits on Billboard in 1951, starting with "Mister and Mississippi", which peaked at number eight; "And So to Sleep Again"; and "Detour", which had been recorded and made famous by Spade Cooley, Foy Willing, and Elton Britt. Page's version was the most popular and became her seventh million-selling single. She also released her first studio album in 1951 titled Folk Song Favorites.

In 1952, Page had a third number-one hit with "I Went to Your Wedding", which spent two months at number one. Recorded in a country ballad style, the song was the B-side of "You Belong to Me", also a top-10 hit. "I Went to Your Wedding" was Page's eighth million-selling single in the United States. It displaced Jo Stafford's version of "You Belong to Me" at number one on Billboard's Best Seller chart. She had continued success that year, with three more songs in the top 10, "Come What May", "Once in a While", and "Why Don't You Believe Me".

In 1953, the novelty tune "(How Much Is That) Doggie in the Window?" became Page's fourth number-one hit, selling over 1 million copies and staying on the chart for five months. The song included the sound of a dog barking, which made it popular with a younger audience. It became one of her best-loved songs, but in later years would often be lampooned by rock critics and used to ridicule the state of popular music in the 1950s just prior to rock-and-roll. The song was written by novelty-tune specialist Bob Merrill. It was recorded by Page for the children's album Arfie Goes to School. It was also a UK hit and British singer Lita Roza performed a cover version that made the top 10 there. She had a series of top-20 hits that year. "Changing Partners", a final single, reached the top five, peaking at number three, and staying on the charts for five months. The song was also a country melody, like many of Page's hits at the time.

In 1954, Page had more chart hits, including "Cross Over the Bridge", which again overdubbed Page's vocals and peaked at number two. Other top-10 hits by Page that year included "Steam Heat" (from the Broadway musical The Pajama Game) and "Let Me Go Lover". In 1955, Page had one chart single: "Croce di Oro".